Chris Christie continues his clueless public fellating of The BOSSSSSSSS while remaining completely unaware that he is the villain of every song by The Boss, closing factories and forbidding his daughter to date the kid from the poor family and calling the Trenton PD to do a sweep of the homeless encampment down under the bridge. QUIT SHOWING UP IN GOOGLE SEARCHES OF “BRUCE SPRINGSTEEN,” JERKOFF.
This album is hot garbage so here lemme rank the most non-horrible Xmas songs for you:
12. The Ramones, “Merry Christmas (I Don’t Want to Fight Tonight)”
11. Yellow Man, “Santa Claus Never Comes To The Ghetto”
10. either Barrington Levy, “One Christmas Day” or Jacob Miller, “All I Want For Ismas” (undecided at press time)
9. Charles Brown, “Please Come Home for Christmas”
8. Marvin Gaye, “I Want to Come Home for Christmas” (saccharine as fuck but still like open-heart surgery because of Marvin’s voice & phrasing)
7. “Merry Christmas Baby” – the Bawse & the E Street Band, mostly because of the keys/drums/horns of the intro (Bittan/Weinberg/Clemons).
6. Bill Withers, “The Gift of Giving.”
5. Prince, “Another Lonely Christmas”
4. The Pogues & Kirsty MacColl, “Fairytale of New York”
3. Donny Edward Hathaway, “This Christmas”
2. Darlene Love, “Christmas (Baby Please Come Home)”
1. Vince Guaraldi, “Linus and Lucy,” obviously
[Close, but nope: Run-DMC, “Christmas in Hollis” due to sheer annoying oversaturation (oddly, however, this does not impact the seeding of “Linus and Lucy”), Joni Mitchell’s “River” which is lovely but loses points for encouraging pouty Caucasian female wallowing, James Brown’s “Santa Claus Go Straight to the Ghetto” (boring), and “Happy Xmas (War is Over)” by John & Yoko/Plastic Ono Band, due to John Lennon’s hypocrital ass singing us a big ol' guilt-trip let’s-all-do-better song while pretending he's not a man who consistently physically assaulted the women in his life. HAVE A SEAT, LENNON.]
Harold Wheeler’s music credits are a long, strange trip – played keys on the original “Blinded by the Light,” conducted for Galt, and did the arrangement for Nina Simone’s truly bonkers/unpleasant version of “My Way.” Get this one for the opening/title track, the closest thing to sexy that a man named “Harold” can produce and the best slinky banger that Isaac Hayes with Johnny Allen on string arrangements never recorded. It’ll give you something to talk about with Yasiin Bey if you ever get stuck in an elevator with him.