Tag Archives: Christmas

Christmas Soul Special (Blue Moon, 1982)

Christmas Soul Special

This album is hot garbage so here lemme rank the most non-horrible Xmas songs for you:

12. The Ramones, “Merry Christmas (I Don’t Want to Fight Tonight)”

11. Yellow Man, “Santa Claus Never Comes To The Ghetto”

10. either Barrington Levy, “One Christmas Day” or Jacob Miller, “All I Want For Ismas” (undecided at press time)

9. Charles Brown, “Please Come Home for Christmas”

8. Marvin Gaye, “I Want to Come Home for Christmas” (saccharine as fuck but still like open-heart surgery because of Marvin’s voice & phrasing)

7. “Merry Christmas Baby” – the Bawse & the E Street Band, mostly because of the keys/drums/horns of the intro (Bittan/Weinberg/Clemons).

6. Bill Withers, “The Gift of Giving.”

5. Prince, “Another Lonely Christmas”

4. The Pogues & Kirsty MacColl, “Fairytale of New York”

3. Donny Edward Hathaway, “This Christmas”

2. Darlene Love, “Christmas (Baby Please Come Home)”

1. Vince Guaraldi, “Linus and Lucy,” obviously

[Close, but nope: Run-DMC, “Christmas in Hollis” due to sheer annoying oversaturation (oddly, however, this does not impact the seeding of “Linus and Lucy”), Joni Mitchell’s “River” which is lovely but loses points for encouraging pouty Caucasian female wallowing, James Brown’s “Santa Claus Go Straight to the Ghetto” (boring), and “Happy Xmas (War is Over)” by John & Yoko/Plastic Ono Band, due to John Lennon’s hypocrital ass singing us a big ol' guilt-trip let’s-all-do-better song while pretending he's not a man who consistently physically assaulted the women in his life. HAVE A SEAT, LENNON.]

 

The Ramsey Lewis Trio, Barefoot Sunday Blues. Argo, 1963 (LPS-723).

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What’s a sexier Don Bronstein-designed album cover than the Howlin’ Wolf one with just a rocking chair & guitar? NOTHING. NONE. That’s the sexiest one. It is his finest work. But I still went out & sat in some scratchy plants & hurt the back of my thighs for you guys just so I could pay tribute to this one – chosen because it’s Christmas, my uncle is visiting, and this is a nod of appreciation to him for first playing this record for me when I was little. I have since realized the C. Adderley version of the title track is better, but the piano playing on that version is not. (No hard feelings, Wynton Kelly! xo)